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The Semantic Point of view by Andreas Osorio

Andreas Osorio's nearly imperceptible sound paths unconsciously stop the visitors in their tracks; the use of lettering as a means of contributing to the atmosphere and playing on perception, without change - significant change via experimentation - contemporary art risks fading into stale predictability; we see the image, which is the 'work' produced by the percipient as an event in his or her time, that gives to its percipient the information that joins with whatever is represented as visual. That is the transformations and the invented narratives through thousands of repetitive images.

GRAMMAR INFO
titleArt Exhibitions
authorZcode <zcode@tiscali.it>
languageenglish
statusrefinable
topicmisc
audienceanybody
created26/5/2004
sourceeng/artex.grm
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